Mr. Brooks, We Can’t Even Agree to Disagree

(Evidently Mr. Brooks’ opinions alone shall move me to post here…)

Ah, Nazi Germany, that impregnable fortress of moral high ground. Witness how fast Mr. Brooks retreats there after sallying out against those prophets of decency, the school teachers, and their foolish insistence on empathy:

The problem comes when we try to turn feeling into action. Empathy makes you more aware of other people’s suffering, but it’s not clear it actually motivates you to take moral action or prevents you from taking immoral action.

In the early days of the Holocaust, Nazi prison guards sometimes wept as they mowed down Jewish women and children, but they still did it. Subjects in the famous Milgram experiments felt anguish as they appeared to administer electric shocks to other research subjects, but they pressed on because some guy in a lab coat told them to. [We'll assume, for our purposes here, that the association between those who work in a lab coat and those who worked in a concentration camp is only incidental.]

Empathy, Mr. Brooks explains, is simply weakness leaving the body only to rebound and crush its possessor’s capacity for tough moral action:

Empathy orients you toward moral action, but it doesn’t seem to help much when that action comes at a personal cost. You may feel a pang for the homeless guy on the other side of the street, but the odds are that you are not going to cross the street to give him a dollar. [We will not assume it, for our purposes here, merely incidental that Mr. Brooks can only afford examples of positive moral action that involve money.]

Empathy is fine, sure, let the teachers have their fun, and, yes, Mr. Brooks assures us, mirror neurons really do exist, but we can’t let such trifles distract us from what we really need: someone or something to tell us what to do — or, in Mr. Brooks’ terms, a code:

People who actually perform pro-social action don’t only feel for those who are suffering, they feel compelled to act by a sense of duty. Their lives are structured by sacred codes.

You see, what Mr. Brooks is trying to show us is that we cannot afford (pun always intended when speaking of Mr. Brooks) to rely on our sense of the humanity of others, on the likeness of others to ourselves – it’s too risky, too weak. Sure, Jesus and the like advise us to love our neighbors as ourselves, but they don’t understand like Mr. Brooks does, how things actually work:

Some influences, which we think of as trivial, are much stronger [than empathy] — such as a temporary burst of positive emotion. In one experiment in the 1970s, researchers planted a dime in a phone booth. Eighty-seven percent of the people who found the dime offered to help a person who dropped some papers nearby, compared with only 4 percent who didn’t find a dime. Empathy doesn’t produce anything like this kind of effect.

Jesus didn’t know the value of the dime like Mr. Brooks (he kept turning them over to Caesar)! Such moral efficacy provoked by the discovery of a mere dime! Imagine if these subjects had discovered millions of dollars and not just a dime in that phone booth what wonderful people they’d suddenly become. (Or maybe we don’t have to imagine.)

So, besides the allusion to those empathetic but morally weak Nazi guards, what else proves the weakness of empathy for Mr. Brooks? Well there’s a study. But we could easily array studies of our own on the side of empathy. There’s also empathy’s reputation among scholars (Mr. Brooks doesn’t indicate which, we’ll have take his word for it) for being a “fragile flower.” But if you’re still not convinced, there’s this test:

Think of anybody you admire. They probably have some talent for fellow-feeling, but it is overshadowed by their sense of obligation to some religious, military, social or philosophic code. They would feel a sense of shame or guilt if they didn’t live up to the code. The code tells them when they deserve public admiration or dishonor. The code helps them evaluate other people’s feelings, not just share them. The code tells them that an adulterer or a drug dealer may feel ecstatic, but the proper response is still contempt.

I’ll take Mr. Brooks up on his offer. (We’ll leave Jesus aside since the questionof whether he or Mr. Brooks is a superior moral teacher remains undecided). I admire Walt Whitman. Walt Whitman the seer, the bodily minister to those hundreds dying of wounds received in that terrible war. Was it a code that moved him to positive moral action?

Let the paper remain on the desk unwritten, and the book on the shelf unopen’d!

Let the tools remain in the workshop! let the money remain unearn’d!

Let the school stand! mind not the cry of the teacher!

Let the preacher preach in his pulpit! let the lawyer plead in the court, and the judge expound the law.

Camerado, I give you my hand!

I give you my love more precious than money,

I give you myself before preaching or law;

Will you give me yourself?

Maybe not. But maybe the ministering to the dying is not the positive moral action that Mr. Brooks would have me aspire to — Whitman was, after all, no doctor, and his no life saving work.

(yet men die miserably every day

for lack

of what is found there)

Alright, I’ll think of some one else: Mr. Wallace Stevens. Surely even Mr. Brooks can admire Mr. Stevens, the prosperous executive of a successful business. So, surely, Mr. Stevens selected some code to conduct his life by?

Among so many objects, it would be the merest improvisation to say of one, even though it is one with which we are vitally concerned, that it is the chief. The next step would be to assert that a particular image was the chief image. Again, it would be the merest improvisation to say of any image of the world, even though it was an image with which a vast accumulation of imaginations had been content, that it was the chief image. The imagination itself would not remain content with it nor allow us to do so. It is the irrepressible revolutionist.

Evidently, Mr. Stevens was too busy bothering about imagination to submit his values to a code (pick a code, any code, Mr. Brooks pleads). The above quotation, however, may not make evident the big problem with imagination. But Mr. Shelley will explain:

The great secret of morals is Love; or a going out of our own nature, and an identification of ourselves with the beautiful which exists in thought, action, or person not our own. A man, to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and of many others; the pains and pleasures of his species must become his own. The great instrument of moral good is the imagination; and poetry administers to the effect by acting upon the cause.

Well, that explains it: empathy.

Alright, so Mr. Brooks and I evidently admire different people. Besides, Mr. Brooks is not calling me to arms against a sea of poets but against a host of polite teachers and cordial conventions. On this point, Mr. Brooks and I might gather. But, whereas Mr. Brooks identifies a problem in kind, I see a problem of degree. Let us take, for example, a recent study. Researchers at the University of Buffalo recently discovered that reading can improve one’s ability to empathize — with vampires:

 Published by the journal Psychological Science, the study found that participants who read the Harry Potter chapters self-identified as wizards, whereas participants who read the Twilight chapter self-identified as vampires. And “belonging” to these fictional communities actually provided the same mood and life satisfaction people get from affiliations with real-life groups. “The current research suggests that books give readers more than an opportunity to tune out and submerge themselves in fantasy worlds. Books provide the opportunity for social connection and the blissful calm that comes from becoming a part of something larger than oneself for a precious, fleeting moment,” Gabriel and Young write.

These findings we are made to understand are important because it proves the social value of reading fiction and might thereby persuade those with money (read: power) to scrape a few more dimes out of the barrel and throw them at the teachers of literature thanking them politely for the dance. This, I think, is the kind of study whose value Mr. Brooks scoffs at. I sympathize with his response — to a degree. It’s the sort of logic that calls for a revival of the Cosby show but this time with Muslims.

Unlike Mr. Brooks I do value these studies, but I refuse to be satisfied by them. I’ll continue to believe that literature, that art, has more of moral value to offer than Cosby with a prayer-rug. Empathy may not only exceed such example by degree, but it might be more complex a concept than Mr. Brooks has yet to allow. Because maybe the imagination of Bill Cosby is one thing, and the imagination of Eudora Welty another:

That hot August night when Medgar Evers, the local civil rights leader, was shot down from behind in Jackson, I thought, with overwhelming directness: Whoever the murderer is, I know him: not his identity, but his coming about, in this time and place. That is, I ought to have learned by now, from here, what such a man, intent on such a deed, had going on in his mind. I wrote his story – my fiction – in the first person: about that character’s point of view, I felt, through my shock and revolt, I could make no mistake. The story pushed its way up through a long novel I was in the middle of writing, and was finished on the same night the shooting had taken place.

Maybe you read Twilight or maybe you read A Defense of Poetry – few, I imagine, read both.

But maybe we should do more than just hope that people develop this moral sense . Maybe our powers of imagination are too fragile, too complex, in fact, to be safely relied on. So, how to combat the weakness of empathy? How to combat this craze? What, finally, is the solution?

The code isn’t just a set of rules. It’s a source of identity. It’s pursued with joy. It arouses the strongest emotions and attachments. Empathy is a sideshow. If you want to make the world a better place, help people debate, understand, reform, revere and enact their codes. Accept that codes conflict.

Now that you mention it, Mr. Brooks, I can’t say that I admire them, but I can think of a group of people strongly dedicated to a code (who even made a similar point about codes conflicting), who pursued its dictates with joy, to whom, as you’ve already pointed out, empathy was but a sideshow:

Hey, he started it.

 

 

All kidding aside, Mr. Brooks maybe right on his side and I may be right on mine. One can act morally without thinking so, according to a code. But maybe after all I prefer to love a life rather than its code; prefer to love the thief of my heart, rather than obey its master.

The partaker partakes of that which changes him.

The child that touches takes character from the thing,

The body, it touches. The captain and his men

 

Are one and the sailor and the sea are one.

Follow after, O my companion, my fellow, my self,

Sister and solace, brother and delight.

It is about me, Mr. Brooks… and you

It was easy to agree with Mr. Brooks up to a point. 
When we were told by our elders that our college education would adequately prepare us for what would become our career, we were misled, at best, betrayed, at worst.

No one would design a system of extreme supervision to prepare people for a decade of extreme openness. But this is exactly what has emerged in modern America. College students are raised in an environment that demands one set of navigational skills, and they are then cast out into a different environment requiring a different set of skills, which they have to figure out on their own.

Had Mr. Brooks only made this point, had he restricted himself to the problem so easily observed, we might have concluded in agreement. Not that I think the problem does not deserve a solution. I would heartily welcome one. But what Mr. Brooks offers me, I cannot accept. I accept his observation of the problem. I reject his solution.

Says Mr. Brooks,

 Worst of all, they are sent off into this world with the whole baby-boomer theology ringing in their ears. If you sample some of the commencement addresses being broadcast on C-Span these days, you see that many graduates are told to: Follow your passion, chartyour own course, march to the beat of your own drummer, follow yourdreams and find yourself. This is the litany of expressive individualism, which is still the dominant note in American culture.

The problem with such commencements as Mr. Brooks derides is that they preach that your passions, your dreams, yourself can be fulfilled by the marketplace. Follow those dreams, they taught us, and you will become healthy, wealthy, and wise. Mr. Brooks is right to deride such nonsense. And Thoreau certainly makes no such promises -

Why should we be in such desperate haste to succeed and in such desperate enterprises? If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away. It is not important that he should mature as soon as an apple tree or an oak. Shall he turn his spring into summer? If the condition of things which we were made for is not yet, what were any reality which we can substitute? We will not be shipwrecked on a vain reality. Shall we with pains erect a heaven of blue glass over ourselves, though when it is done we shall be sure to gaze still at the true ethereal heaven far above, as if the former were not?”

- (I’m certain year by year more people visit Walden than Walden). Indeed, Mr. Brooks perspective is sensible: Do not expect your dreams, your passions, yourself to get you a good job, a good [desirable? worthwhile? decent? respectable?] career. You graduated but… To get a good career, especially in this economy, you must submit yourself to the whim of your economic fortune and take what comes. Mr. Brooks’ nonsense, his outrage, is to suggest that this submission fulfills the purpose of any life:

“Most successful young people don’t look inside and then plan a life. They look outside and find a problem, which summons their life.”

If by successful, Mr. Brooks means wealthy young people, then who am I to disagree? Nevertheless, Mr. Brooks is wrong from his side, and the Baby Boomers are wrong from theirs. We should not have expected our college education to develop us into the stuff of our dreams. We should not expect our economic system to become fertile soil for the blossoming of our best selves. To do so was to expect too much of our education and our economy. To do so was to expect too little of ourselves. My fault was not to expect too much of my self, but too little.

I’ll have none of either the Baby Boomer’s slightest parody of the American religion (I’m thinking of you here, Mr. Bloom), nor that parody of Calvinism (or is it actually Calvinism, Mr. Weber?) that Brooks evidently espouses, which fashions its God out of a market and submits to the hidden will of Capital. According to Mr. Brooks the chief fault of Baby Boomer theology is that it interferes with the

chief business of adulthood, finding serious things to tie yourself down to

which means of course that the chief business of adulthood is business:

A relative suffers from Alzheimer’s and a young woman feels called to help cure that disease. A young man works under a miserable boss and must develop management skills so his department can function. Another young woman finds herself confronted by an opportunity she never thought of in a job category she never imagined. This wasn’t in her plans, but this is where she can make her contribution.

Presumably, that young man suffering working under a miserable boss accepts this problem as his own, allows it to summon him, will become a whiz at Excel, set everything in the right tables, get his department to function more efficiently, and get, what? A pat on the pack? A gold star? Become a real boy? Submit your will to the will of the market and you will be blessed. And if even then he remains unsatisfied? Not my will, oh Capital, but your will be done.

According to Mr. Brooks, if I relinquish my self, grind myself to the wheel of our grand economy, I’ll find something good, be rewarded with some problem worth my time, that is, finally, be rewarded with wealth – the answer is not in myself but in my market opportunity.

The one mistakes the Market for such stuff as dreams are made of. The other mistakes the Market for a Will and a Calling. We’ve had too much of either menu (do you dream of Eisenhower, Mr. Brooks?) and there never will be enough from the sum to make a meal.

I have nothing against those who find or would find joy in their job. Neither have I anything against those who find no joy in their job or would expect a better job. But let us never pretend that the job summons us. That a job can make something of us. That a job is our only work.
My life will not be summoned by such a “problem” as Mr. Brooks makes mouths at. My life summons my life.

We should all let Whitman commence:

Old institutions …. these arts libraries legends collections – and the practice handed along in manufactures …. will we rate them so high?
Will we rate our prudence and business so high? …. I have no objection,
I rate them as high as the highest …. but a child born of a woman and man I rate beyond all rate.
[...]
When the psalm sings instead of the singer,
When the script preaches instead of the preacher,
When the pulpit descends and goes instead of the carver that carved the supporting desk,
When the sacred vessels or the bits of the eucharist, or the lath and plast, procreate as effectually as the young silversmiths or bakers, or the masons in their overall,
When a university course convinces like a slumbering woman and child convince,
When the minted gold in the vault smiles like the night watchman’s daughter,
When warrantee deeds loafe in chairs opposite and are my friendly companions,
I intend to reach them my hand and make as much of them as I do of men and women.

The Figure of Youth as a Virile Superhero (Part 2): Family, Romances

Mental work is linked to some current impression, some provoking occasion in the present which has been able to arouse one of the subject’s major wishes. From there it harks back to a memory of an earlier experience (usually an infantile one) in which this wish was fulfilled; and it now creates a situation relating to the future which represents a fulfillment of the wish. What it thus creates is a daydream or fantasy, which carries about it traces of its origin from the occasion which provoked it and from the memory. Thus past, present, and future are strung together, as it were, on the thread of the wish that runs through them.

- Freud, Creative Writers and Daydreaming

Smallville [Seasons I-IV] and Spiderman [I and II] provide us with examples of classical romance (a term I’ll return to later). Or, perhaps we should say they are classical romances in the Superhero genre. But the genre of Superhero stories is still too broad for our satisfaction. Each of these melodramas make use of an organizing trope which makes use of the ready material of each classical romance and superhero myth so that it might satisfy us to present this trope as the foundation of its own genre: the trope and its genre might then be called adolescence as superpower.

Continue reading

A Most Unlikely Heavyweight Match

"I'm not much of a looker. But I'm a great boxer."

From an interview with The Paris Review in which Harold Bloom considers a canon of Western Literature: The Humor Edition. This is one of the most ridiculous stories I’ve ever read. On my recent voyage to Key West (among other sunny places) I brought along To Have and Have Not and my Everyman’s pocket edition of Poems of the Sea because it was the most convenient way to carry “The Idea of Order at Key West.” I went to Hemingway’s house with the latter in my pocket. But the following account of a meeting of the twain can scarcely be believed:

Hemingway and Stevens knew each other in Key West. If we’re going to speak about humor connected with Hemingway, in a rancid way this is the funniest thing I know. Down in Key West, when I think Hemingway was thirty-five and Stevens was fifty-five, they’d had a bit too much to drink together and they got into a fist fight, Hemingway knocked Stevens down and perhaps even out, certainly down, and writes about it with great relish in one of his letters where he points out how much heavier and bigger a man Stevens was; he doesn’t bother to point out that he was a gentleman knocking down a gentleman twenty years older. But in spite of the fact that they had not personally gotten along then and perhaps on other occasions in Key West, they both had considerable respect for one another’s writing.

Anyway, thought you’d like to know.

"Well, I woke up Sunday morning with no way to hold my head that didn't hurt..."

 


I digress.

Now is the time for a digression in which to describe our heroes’ feelings.

“Convergences: Memories Involving The Waste Land Manuscript,” an essay by Patrick J. Keane (via Numéro Cinq)

It’s like a detective story.

"Convergences: Memories Involving The Waste Land Manuscript," an essay by Patrick J. Keane In 1924 the original ms. of T. S. Eliot’s The Waste Land, with Ezra Pound’s handwritten editorial comments, mysteriously disappeared and did not resurface until 1968. Most of the facts of what happened to the ms. are now known. But here, for the first time, Patrick J. Keane pulls the story together with personal information gleaned from Eliot’s widow that sheds a poignant light on the story of the ms. and Ezra Pound’s last years. Part-literary de … Read More

via Numéro Cinq

Zéro de conduite, Jean Vigo

Sometimes the best things are free:

 

If you regard all experiement as affectation and all that bewilders you as a calculated personal affront, and if you ask of art chiefly that it be easy to take, you are advised not to waste your time seeing Jean Vigo’s Zero de Conduite and L’Atalante; go on back to sleep, lucky Pierre, between the baker’s wife and the well-digger’s daughter, if you can squeeze in among the reviewers who have written so contemptuously of Vigo’s work. If you regard all experiemnt as ducky, and all bewilderment as an opportunity to sneer at those who confess their bewilderment, and if you ask of art only that it be outré, I can’t silence your shrill hermetic cries, or prevent your rush to the Fifth Avenue Playhouse; I can only hope to God I don’t meet you there. If, on the other hand, you are not automatically sent either into ecstatsy or catalepsy by the mere mention of avant-guardism, if your eye is already sufficiently open so that you don’t fiercely resent an artist who tries to open it somewhat wider, I very much hope that you will see these films. I can’t at all guarantee that you will like them, far less that you will enjoy and admire them as much as I do, for they are far too specialized. I can only be reasonably sure that you will find them worth seeing. (J. Agee, July 5, 1947)